two to go?
I finished the unaccompanied intro to the tuba piece tonight. It was a wonderful "aha" moment on how to connect this cool idea that needed to be transitioned into as well as out of. Musically I compare it to drawing to an inside straight: you can't always write music in between two ideas you want and get the smoothest result. As it is, I was pretty happy to find the solution I did, and now I'll need to sleep on this and play it tomorrow. I've brought the piano into the mix, which certainly complicates things. Wait... >>10 minutes pass<< However, I found YouTube. Teh internetz, let me showz you them! After listening to some Dvorak and other things, I have a start to the piano part! Whee!!! Now it's deciding when to bring in the tuba, how much of the theme to introduce in piano, and working out some chord progressions. For the second section. The third section, as planned, is demon-spawn 'oom-pah'. This could be fun. :-)
I just hope C# minor doesn't annoy the hell out of him...
I finished the unaccompanied intro to the tuba piece tonight. It was a wonderful "aha" moment on how to connect this cool idea that needed to be transitioned into as well as out of. Musically I compare it to drawing to an inside straight: you can't always write music in between two ideas you want and get the smoothest result. As it is, I was pretty happy to find the solution I did, and now I'll need to sleep on this and play it tomorrow. I've brought the piano into the mix, which certainly complicates things. Wait... >>10 minutes pass<< However, I found YouTube. Teh internetz, let me showz you them! After listening to some Dvorak and other things, I have a start to the piano part! Whee!!! Now it's deciding when to bring in the tuba, how much of the theme to introduce in piano, and working out some chord progressions. For the second section. The third section, as planned, is demon-spawn 'oom-pah'. This could be fun. :-)
I just hope C# minor doesn't annoy the hell out of him...